Scarlett Johansson Stars in New Prada Galleria Campaign Directed by Jonathan Glazer

Talent: Scarlett Johansson
Director: Jonathan Glazer
Creative Director: Ferdinando Verderi

An actor is ceaselessly reinventing, and reinvented, transcending their own selves to embody the myriad of characters they can become. Here, the magnetic draw of the movie star is harnessed as a means of connecting to character, to personality, and to that constant shifting of identity that emblematizes both film and fashion.

Captured in New York City by director Jonathan Glazer, the still and motion images showcase Johansson as an actor, honing her art — repeating phrases with different feeling and meaning, she showcases the infinite self-transformation that define an actor’s skill. Abstracted, unreal, it is film at its most cinematic. Yet, as Johansson exits the studio, we then leap from screen to reality — albeit a reality fictionalized, idealized for us. In a quintessentially Prada dichotomy, the intimacy that the act of performing is able to generate contrasts with a panoramic normality of everyday life. Cinéma vérité — Johansson, seemingly undirected, as her true self.

The instrument of Johansson’s everyday is the Prada Galleria handbag, seen here as a tool of life rather than a product, a part of an everyday wardrobe. As with Johansson its persona can transform; as with acting, it is a symbol of excellence in craft. Here, the Prada Galleria is showcased, in motion, as a fundamental facet of a woman’s reality.

Zephyr by Prissilya Junewin & Maya Lu

full look: Prada

photography by Prissilya Junewin
styling by
Maya Lu
hair by
Dennis Brandt
make up by
Jamal Musa
photographer assistant by
Emi Iguchi
modeling by
Looloo, Damrasi, Idi
casting by
Majin Scouting
production by
Kaputt Agency

full look: Miu Miu

top & skirt: Meryll Rogge
tie: Dior
boots: Scarrossa
bag: Jerome Dreyfuss

top: Issey Miyake

dress: Ferragamo

dress: No Faith Studios

jacket & skirt: Annakiki
shoes: Miu Miu

Coat: UGG

Color My Life With The Chaos Of Trouble By Jana Gerberding and Mine Uludag

photography by Jana Gerberding
styling by Mine Uludag
casting by Eli Xavier
modeled by Winter, Aime, Bethlehem, Lici, Xen Hur, Dhyhani, and Sophia

Life today offers almost infinite possibilities juxtaposed by maximum confrontation with internal pressures, domestic threats, and global uncertainties. We participate in social movements that are meant to liberate us from oppression and share them on the same social platforms that torment us with an incessant evaluation of our appearance and identity. What exactly do you have to prove today as a young woman? What is socially expected? What does femininity even mean? Is there a new femininity? Does gender play a role at all? Isn‘t it just about individuality and belonging?

Making choices and gaining confidence is for many young people an inner conflict between knowing who they want to be and who they really are.

Our heroines in these portraits embody different possibilities of the feminine. A portrayal that describes the role of the body, identity, the power of self-confidence, and individuality.

This is a portrait of a growing female generation who is not afraid.

LEFT Dyhani is wearing full look Celine.
RIGHT Sophia is wearing panties by Prada, bra by Dior, and stockings by Hermès.

Bethlehem is wearing dress by Arturo Obegero.

LEFT Dyhani is wearing leather coat by Max Mara and sunglasses by Celine.
RIGHT full look Celine

Winter is wearing white blouse by Jil Sander and black skirt by Dries Van Noten.

Aime is wearing skirt and jewelry by Versace and cropped zip top by Alexander McQueen.

LEFT Sophia is wearing bra by Versace, hoodie by Sankuanz, skirt by Louis Vuitton.
RIGHT Xen is wearing top and skirt by Ottolinger.

LEFT Bethlehem is wearing corsage by Alexander McQueen.
RIGHT Bethlehem is wearing dress by Arturo Obegero and boots by Dries Van Noten

LEFT Xen is wearing dress by Missoni.
RIGHT Sophia is wearing bra and shoes by Versace, hoody by Sankuanz, and skirt by Louis Vuitton.

Aime is wearing skirt, boots and balaklava by Max Mara, long sleeve shirt by Lacoste, and leather jacket by Louis Vuitton.

LEFT Xen is wearing dress and heels by Missoni.
RIGHT Lici is wearing long sleeve shirt by Balenciaga, skirt by Loewe, stockings by Hermès, and boots by Dries Van Noten.

INSTA FAMOUS By Diego Cruz & Zion Dezm

 

Lisa is wearing earring 1CONCEPT, top MIU MIU, skirt and thong VALERIEVI, tights TYTM8.

 


creative direction, art direction and casting: Diego Cruz & Zion Dezm
photography by
Diego Cruz
styling by Zion Dezm, assisted by Andrea Brown
makeup by
David Gillers, assisted by Mialuca Backus
hair by
Moe, assisted by Jennifer Chan
Models: Lisa from PRM Model Agency
Arual & Olivia from Milk Management
Bertie from Anti Agency


Arual is wearing earrings 1CONCEPT, necklace and skirt MIU MIU, top NII HAI.

Lisa is wearing earring HEAVEN BY MARC JACOBS, top DOLCE & GABBANA.

Lisa is wearing bag HEAVEN BY MARC JACOBS, earring 1CONCEPT, ring and jumpsuit VALERIEVI.

Bertie is wearing shoes MIU MIU.

Olivia is wearing top R & M LEATHERS, dress PRADA, bag GIVENCHY.

Lisa is wearing earring 1CONCEPT, top DOLCE & GABBANA, thong NII HAI, skirt HEAVEN by MARC JACOBS, trousers PACO RABBANE, shoes GIVENCHY.

Bertie is wearing dress CHARLES JEFFREY.

left to right: Olivia is wearing necklace and earrings ALESSANDRA RICH, top JORDANLUCA, tights MM6, shoes MIU MIU.
Arual is wearing earring 1CONCEPT, dress CHRISTOPHER KANE, tights R & M LEATHERS, shoes NII HAI.
Lisa is wearing earring 1 CONCEPT, top and tights DOLCE & GABANNA, dress PACO RABANNE, shoes PRADA.


What Will I Become By Gabriella Rowland & Nicolas Robin Hobbs

coat: RICHERT BEIL
shirt: Prada (stylist’s archive)
tie: Emporio Armani
bag: Celine


photography by Nicolas Robin Hobbs
photo assistance by Leo Köhler & Mengyu Zhou  
styling by Gabriella Rowland 
styling assistance by Bastian Hagn 
casting by Nicolas Robin & Gabriella Rowland 
hair by Bronwyn Stewart
makeup by Naomzz 
talent by MARIAM D @ MIRRRS, KARINA & JOANNA @ Tomorrow Is Another Day
Special thanks to Effi at TIAD



coat: RICHERT BEIL
shirt: Prada (stylist’s archive)
tie: Emporio Armani

LEFT
top: vintage (solastseason Archive) 
skirt: Gucci (solastseason Archive) 
shoes: Celine 
ring: JOHANNA GAUDER

RIGHT
top: Blumarine (solastseason Archive) 
skirt & bag: Diesel 
shoes: CAMPER

LEFT
jacket: Cottonade Paris (solastseason Archive) 
tights: Diesel
bag: Diesel
shoes: Balenciaga (solastseason Archive)

RIGHT
coat: RICHERT BEIL
shirt: Prada (stylist’s archive)
tie: Emporio Armani
tights: Falke
shoes: Bottega Veneta (NIGHTBOUTIQUE Archive)
bag: Celine

suit: Miu Miu
knitwear: Miu Miu
shoes: Diesel
rings: INA BEISSNER



Papou: A Vintage Fashion Editorial Pays Homage To Greek Grandfather Steez By Hakan Solak

stylist & photographer: Hakan Solak
model: Ilias Paci (@ Viva Models)

Kate Crawford & Trevor Paglen: Training Humans @ Osservatorio Fondazione Prada In Milan

Training Humans, conceived by Kate Crawford, AI researcher and professor, and Trevor Paglen, artist and researcher, is the first major photography exhibition devoted to training images: the collections of photos used by scientists to train artificial intelligence (AI) systems in how to “see” and categorize the world.

In this exhibition, Crawford and Paglen reveal the evolution of training image sets from the 1960s to today. As stated by Trevor Paglen, “when we first started conceptualizing this exhibition over two years ago, we wanted to tell a story about the history of images used to ‘recognize’ humans in computer vision and AI systems. We weren’t interested in either the hyped, marketing version of AI nor the tales of dystopian robot futures.” Kate Crawford observed, “We wanted to engage with the materiality of AI, and to take those everyday images seriously as a part of a rapidly evolving machinic visual culture. That required us to open up the black boxes and look at how these ‘engines of seeing’ currently operate”. Training Humans is on view through February 24 2020 at Osservatorio Fondazione Prada Corso Vittorio Emanuele II, 20121 Milano

Exclusive Preview Of "Kienholz: Five Car Stud" @ Fondazione Prada in Milan

Milan’s Fondazione Prada presents “Kienholz: Five Car Stud”. The exhibition brings together a selection of artworks by Edward Kienholz and his wife Nancy Reddin Kienholz, including the well known installation that gives the show its title. A self-taught artist from Washington State, Edward Kienholz’s work was described by Germano Celant as “making no attempt to sublimate the meanness and tragedy of life, its condition of loneliness and triviality, but on the contrary using them as a way of highlighting a low and popular universe in which the wasted and the dirty, the depraved and the filthy, represented a new and surprising beauty”. The exhibition features numerous installations and tableaux created by the couple between the early late fifties and the nineties, often directly representing death, violence, war and various kinds of social injustices. Looking at them makes the viewer feel uncomfortable and powerless but, at the same time, turns him into a participating witness as the urge to meticulously explore the details take over: Voyeurism and the power of crude beauty win over the common sense of morality. The main installation, “Five Car Stud”, catapults the viewer into a nightmarish situation, plunging him into a dimension of extreme violence. It recreates a dark, isolated environment, illuminated merely by the headlights of four cars and a pick-up truck,  at the center of which lies an African–American man, surrounded by five white men wearing Halloween masks. The aggressors grab his arms and legs while one of them prepares to castrate him. A woman is forced to watch, shocked and powerless, and a frightened little boy witnesses the scene from the backseat of his father’s car. This work was defined by Kienholz as the representation of “The Burden of Being American”. The exhibition will be on view until December 31 2016 at Fondazione Prada, Largo Isarco 2, Mila. Text and photographs by Sara Kaufman

Read Autre's Favorites from Milan Fashion Week

Oh, Italy. The land of luxury behemoths. Young fashion people scoff at Milan, but Milan is planting itself once more at the forefront of conceptual fashion. Versace and Prada will always be doing their thing. Damir Doma decided to leave the herd of Paris and create his architectural garments in Italy. Arthur Arbesser is injecting youth and idea-driven fashion into the city revitalizing Iceberg and launching his own brand. And, less we forget, Alessandro Michele is the hottest designer in fashion at Gucci. It feels like people are ready for Italian fashion again, and they certainly want Gucci to be relevant again. We’ve had so many years of “cool” and “arty” brands out of Paris and London that maybe the coolest thing to do right now is to pay heed to the luxury giants of Italy. It’s hip to be square, motherfuckers. Click here to read the full review.

An Exclusive Sneak-Peek At the New Fondazione Prada in Milan

For the last two decades, the Fondazione Prada has held numerous ground-breaking exhibitions, but without a permanent place to call home. An avid collector and matriarch of the Prada and Miu Miu brands, Miuccia Prada has been exhibiting artists like Dan Flavin and Anish Kapoor in a ramshackle assortment of shifting industrial buildings in Milan, Venice and elsewhere in the world. Yet, tomorrow will see the opening of a permanent campus in Milan – designed Rem Koolhaas, the new home of the Fondazione Prada will occupy more than 200,000 square-feet of a century-old distillery in Milan, which has been completely transformed by the Dutch architect and his firm OMA. Indeed, there is a lot to explore at the new foundation – including inaugural exhibitions, like Serial Classic, which plays with classic Roman sculpture, you can also view a new Roman Polanski film in the newly added theater, or you can visit the Haunted House – a permanent installation of late the Louise Bourgeois’ sculptural work. After exploring the expansive space, you can stop and have a cocktail at Bar Luce, which has been designed by the director Wes Anderson, and is inspired by the Milanese cafés of the 1970s. Autre was lucky enough to gather a sneak-peek of the space before it’s official opening – browse through photos to see the exhibitions, the architecture and the perfectly kitschy café. photographs by Juanco Viso for Autre Magazine.